4hw.com.cn: there has been a lot of discussion about the prototype of the characters on the fourth version of RMB, and even some media have found out the "prototype" in reality. Just when the fourth version of RMB officially ceased to circulate, the creators participating in the RMB show their own opinions. So is there a prototype of the characters on the fourth version of RMB? Let's work out the mystery together.
So is there a real person prototype for the fourth set of RMB figures that will soon stop circulating?
Mr. Liu Dadong, who is known as the "master of RMB plate making", once recalled in an interview with the media that "in those days, I was mainly responsible for the plate making of RMB. The designer was not a person, but a creative team composed of several people. However, I remember that Mr. Zhou Lingzhao mainly drew patterns and flower decorations, Mr. Zhang Fengshan was in charge of landscape scenery, and the portraits were drawn by Hou Yimin and Deng Shu. '
Hou Yimin, a former professor of the Central Academy of fine arts, is a disciple of Xu Beihong, a master painter. Mr. Hou introduced that he started painting as early as before liberation, but his participation in the design of RMB began in the early 1980s.
Mr. Hou said that there was a legend that the fourth set of characters of Dong girls on the RMB had been found, which was actually a misrepresentation. At that time, people's designs for the fourth set of RMB were made up of fictional paintings, with no prototype of Zhang San or Li Si.
According to Mr. Hou, at that time, they walked a circle along the border of Yunnan, from Xishuangbanna to Guiyang, Guilin, Mongolia and other ethnic minority settlements, which took more than 10000 Li and took three years to draw. During the visit, they not only looked at the faces, but also looked at the national clothes and decorations. After the first draft was drawn, they would take it back for many times for modification and processing.
'it's possible to say that this person looks like someone on a bill. Because we are a combination of local temperament and facial features of the painting. 'but you can't do that.