Zhang Yi commented that Hu Ge saw the shadow of sanchon minro
On the evening of November 22, the film "party at Nanfang railway station" appeared at the 28th Golden Rooster and Flowers Film Festival. A special screening meeting was held in Xiamen. Director Diao Yinan and starring Hu Geliang met and exchanged views. Hu Ge admitted that he had no self-confidence when he just entered the group. He was afraid that he would be delayed if he couldn't finish it. During the shooting process, Hu Ge thought that the most difficult thing was not language, but to get close to the characters from the temperament.
Before the opening of the film, Hu Ge helped Lu Yan into the cinema and watched the film with the live media. In addition, friends Zu Feng and Zhang Yi also came to watch the film and had a hot chat with Hu Ge before the opening. During the post screening exchange, Hu Ge admitted that it was a great honor to put the domestic Premiere of the film at the Golden Rooster hundred flowers film festival.
Diao Yinan introduced that the film spent two years writing the script. When it was written, it corresponded some inspiration and imagination with real life, which stimulated creation and wrote the process of finding dignity and existence for such a marginal character.
During the shooting process, Diao Yinan found it difficult because there were 85% of the night plays and a large number of mass actors. The actors worked very hard and lived a life of reversing black and white until the early morning every day.
Hu Ge said that the director's love for the film can overcome all difficulties. "The director is a very willful person. Willfulness is reflected in paying and working hard for the goal at all costs for one shot and one play."
Turning to the reasons for choosing Hu Ge, Diao Yinan revealed that it was fate and destiny. 'I saw a picture of Hu Ge in the magazine, which moved me very much. There were many stories on his face in that picture. It was different Hu Ge, rebellious and uninhibited, which attracted me from the shape.'
Hu Ge added that when the director came to him, the first feeling was an accident, 'because I also saw the director's works. When he came to me, I was in a period of relative confusion at work and had been waiting for good scripts and roles. I was very nervous at first when I received this role, because it was a subject I had never tried before. In addition, the director's previous "daytime fireworks" was so excellent that I was afraid that it would not be completed and that I would be delayed. "
After joining the group, Hu Ge also revealed this worry to the director without reservation, 'I had a long talk with the director all night and told him about my lack of confidence. The director gave me great patience.' Diao Yinan said that it was mainly because they drank and talked about everything. He said about creation and life. He thought: 'the cooperation between directors and actors should trust each other and make honest friends.'
Diao Yinan revealed that Hu Ge couldn't see the difficulties. He was always in a state and very calm. Diao Yinan described Hu Ge's performance as one by one like a machine. He felt that Hu Ge's heart had some power to support him to complete the performance. "
Hu Ge said that he felt that the biggest difficulty was not performing in dialect, but in technical skills. The difficulty is to approach from the temperament in the creative process. In the process of shaping the role, 'we should find the feeling from the inside and experience the process of suffering.' Not long after the boot, the director asked Hu Ge how he felt. At that time, Hu Ge thought there were both good and bad parts. He also kept the negative things. This anxiety coincided with the role.
Hu Ge said he was a few trucks away from Liao Fan this time. He was very happy to know that he came. Even if they didn't play against each other, he took great care of me when they first joined the group. Once, after reading the script, they watched a movie in the director's room. He talked to me about a lot of characterization ideas and was very concerned about life.
GUI lunmei and Hu Ge have the most opponents. Hu Ge thinks she is real and worthy of respect in all aspects. 'she was the first to live in a village in the city and experience life. She paid a lot for this play. There was a fever on the day of shooting a play. She took two or three pictures and insisted on shooting. The side shot showed us hugging after we had passed. It was particularly difficult for her that day. "
Cao Baoping also came to the scene to watch the film. He commented that the film was particularly good. This was his second time to see it. He was full of respect for Lao Diao. In his opinion, feature films are particularly difficult to choose, whether to use plot narration or sound and shape. Diao Yinan is particularly thorough in using sound, picture and shape to complete the narration of the film this time. 'I especially understand the difficulties. How hard many scenes are, and the degree of completion is particularly high. Many places are like idle pen, such as shooting wild goose pond and family building. The director uses a little extravagant pen and ink to shoot, not only the taste and feeling of modeling, but also the people who are not concerned from the normal mainstream perspective. There are a lot of scenes to go out to shoot life, which can be achieved by literature. "
Diao Yinan responded because he not only showed the audience a story, but also wanted them to see the world.
Cao Baoping thought that Hu Ge's performance was very wonderful, calm and calm. In addition, the mass actors of the film handled very well, nearly 2000 people, and they were particularly vivid. Among them, Hu Ge and GUI lunmei are slightly different from mass actors, which is also a bit like Huang Bo, who is shooting himself. Sometimes actors need the aura of the protagonist. Where to hide is the expression ability and idea, not to be completely submerged.
Hu Ge said: "I think my performance is completely taught by the director. I came from a blank paper and told the director that I forgot all my previous skills and experience."
Diao Yinan smiled and said, "Hu Ge, this is to leave the problem to him to answer." I want actors to give me a neutral performance in the picture, and the masses will be more realistic. After all, the film is about them in many abstract spaces at night. In such a situation, they can't completely let go of the smoke and anger. They have to test the mystery, distinguish from the reality, show a neutral state, and sometimes suppress them. Don't follow, but hide and hide. "
After listening, Cao Baoping invited Hu Ge: 'I must write a role suitable for you.'
Lu Yan, an old artist who has worked with Hu Ge for a long time in the drama "dream like a dream", also came to watch the film and commented on Hu Ge: "I think he played very well and presented a character completely different from himself. I am very glad to see that he has such good acting skills, such good performance in the play, and such a good director has created such a good opportunity for him. Hu Ge is an unselfish, virtuous and cultured actor. He helps his opponents and me a lot. We cooperate in drama, and he will recite my words and tell me. "
Zhang Yi watched it with his urine in his mouth. He praised the film very amazing. 'the smoke of the kebab flew out obliquely, and he liked it very much. What I have been looking forward to is a wet love. I didn't expect it to be a shocking pursuit. This film is very important to Lao Hu. I support him on behalf of Wu Jing's men's climbing team. I saw the shadow of Mitsuhiro in Hu Ge's performance and the temperament of master Kurosawa in the film. "
Zhang Songwen deeply agreed with the director's saying that "the film doesn't have too many themes to express." I see many southerners living in Wuhan. When I came here, I was still thinking that Hu Ge might not be able to play. You are so popular that it is difficult to get rid of my impression of you, but I believed it in the first play. Thanks to the director, it's easy to let the actors in. Your lens is helping the actors. It's very happy to be your actor. This one on the resume of these actors in the future is their masterpiece. "
Zu Feng said frankly that he had not seen such a wonderful spy film for a long time, 'the film is the closest to literature. Many other films are like novels, which is more like a poem. When I watch movies and pictures, words appear in my mind. The director described some marginal people in savage and absurd words. We are not like this. "