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A complete collection of my and my motherland's films and wonderful film reviews (summary)

"Me and my motherland" is divided into seven stories, telling moving stories that are closely related between ordinary people and the country. The following is the film "I and my motherland" and the film review, I hope to help you.

"My motherland and I" and film review [1]

The whole is on the pass line, except Zhang Yibai.

The first three chapters are too emotional for me, but they are not so moving, so I will focus on the following parts.

There is a big difference between the return and the forecast. Compared with other parts, it is more like a calm bystander's narration. The third line narrative blurs the focus of "one second is not bad". What impresses me most in the whole article is the "rejuvenation filter" of Hui Yinghong and Ren Dahua, as well as a witty remark by Gao Yalin and Zhu Yilong.

Hello Beijing, youyou vividly explained what it means. No one can beat me in my rhythm. He bragged that the audience was laughing, showed off that the audience were laughing, and even touched the bald audience. Although there is a suspicion of forcibly raising the idea of giving tickets, hello Beijing is still the most grounded and highlight chapter of the film.

It is a novel idea to combine aerospace and poverty alleviation, but the hero's behavioral logic fills my head with question marks. Kaige's lens is still beautiful. Zhuang Zhuang takes two wild children riding across the desert and Gobi. In the vast world, only the sky light and the smoke and dust stepped by horses' hoofs can be seen. It's really magnificent.

Escort, if you want to show a woman's strength, you don't have to give her a childhood experience as a 'bossy' girl. Although the story of this chapter is very weak, wenmuye's control of rhythm is really OK, and there are many highlights. Although the scenes of Zhang Zifeng and Lei Jiayin are not many, their presentation is very vivid and bright.

Generally speaking, it is a very special gift film different from the past. I like the foothold of "starting from a small person". It gives people a sense of reality. Patriotism is not only the big mind of family, country and the world, but also closely related to the life of every ordinary person. Just like the song: "I can't be separated from my motherland for a moment."

"My motherland and I" and film review [2]

A film has seven stories, which is unprecedented in the history of Chinese film.

Seven excellent directors jointly created the seven short films, integrating the major events of 70 years since the founding of new China in 1949. They integrated their understanding and emotion of the motherland into the film, and finally presented us a film with laughter and tears, temperature, details and historical thickness. This itself is something worth writing in the history of Chinese film.

The creative team put forward the creative idea of "historical moment, national memory and head-on encounter". The creators invested super professional ability and full creative enthusiasm, watched big events by small people, integrated the fate of ordinary people into the historical background of new China, and skillfully integrated the pride and fireworks of large countries and small countries, bit by bit, Recall the common memories of every Chinese people's feelings for home and country.

Fine taste of the vicissitudes of life

The unit that made me cry was the night before yesterday.

Not long after the opening, Lin Zhiyuan, played by Huang Bo, said in a southern accent that there are only four words we can do for the red flag returned from the sacrifice of 20 million people in the 28 year Revolution -- foolproof.

In the 28 year revolution, 20 million people died. Just these two figures can't help but make people cry. And I like this unit, not because of the grandeur and pride behind it.

Eve, as the opening of the whole play, reproduces the solemn and sacred preparations for the founding ceremony. It is a very challenging thing. However, the director abandoned the narration of grand events and chose the most subtle point - repairing the 'blocking ball' at the top of the flagpole - to restore the real historical events, and told the audience with the most subtle elements: it is not easy to raise the flag by electric power, and what a pioneering and miraculous feat the founding of new China should be.

In the film, the meticulous design drawings, the weight of the national flag accurate to grams, the donkey rolls loved by engineers, the red silk gathered by neighbors in the neighborhood, and the warm evening sunshine in the gate hole of the Forbidden City. The film depicts in the most concrete details, allowing people to see a living celebration, a living new Chinese history, a group of flesh and blood, passionate and righteous revolutionaries and builders, These vivid contents can not only make people feel the existence of history, but also make people touch the living details of history, make people believe in history, be moved by history and be proud of such history.

These details are mixed in the memory of the vicissitudes of history. It is not a false lofty sentiments and slogans. It is trivial, concrete and warm. It is more likely to sink into 'people' and recite the memory of the feelings of home and country and the memory of dedication and persistence in a way that ordinary people can understand.

Back to the theme of the gift, savor the great changes in the 70 years of new China. It is not the persistence and efforts of countless people that finally merged into the sea.

Excavate the poetry in the plain

The unit that makes me laugh is "win the championship".

The plot is simple. On August 8, 1984, the Chinese women's volleyball team played against the United States. At the same time, there was a great deal of noise in an alley in Shanghai. The neighbors watched the live broadcast on the TV of the little boy Dongdong's house. However, because the TV signal is good and bad, Dongdong missed the opportunity to say goodbye to Xiaomei, who was a childhood sweetheart, and failed to give her a gift. The latter is about to go to the United States.

The camera reproduces a large number of life details in Shanghai Lane. Shikumen old-fashioned house, telephone booth at the door of canteen, middle-aged women in hot pajamas and fat children eat watermelon outside their home. People who lived in Shanghai in the 1980s must be very familiar with and friendly to the above pictures. The film presents a relaxed and pleasant comic color, and is full of fireworks. It really pulls the lens to ordinary people and gives the right of speech back to the people.

But if you just reproduce the life scene, the story is far from moving. " Movies are life, but not mediocre ', so when presenting daily joys and sorrows, we should be able to dig into poetry in plain life, so as to jump out of the current shackled situation and reach a new realm.

Behind this plain story is the growth story of Dongdong, a 10-year-old boy. It is about responsibility, commitment, self sacrifice and the charisma of the model of the times. Even though the 10-year-old Dongdong still can't understand what he did this for and what the neighborhood's enthusiasm for the women's volleyball match is for, at that moment, when he put on his bed sheet and tried his best to support the antenna, it was his highlight moment. His figure reminds me of the battle heroes I learned in my childhood textbooks, the great sage in Wukong biography, and even Superman. At this moment, the image of young Dongdong immediately escaped the tedious and peaceful life, full of fearless heroism.

The charm of the little man comedy presented by director Xu Zheng lies in carefully observing and capturing the people in life, excavating the beauty hidden in the humble corner of life and giving it meaning.

(also wonderful is hello Beijing.) Mr. ge you vividly portrayed Beijing's brother "Zhang Beijing", and almost one person supported the whole story. The story also explored the big feelings and patterns from the small people at the bottom. Some of my friends even ranked the first in this story, which shows that Ning Hao's storytelling skills are extraordinary. However, because I have feelings for Shanghai and limited space, Let's put this beautiful Beijing story aside for another one.)

The dust and smoke of great history

The unit that mixed my feelings was regression.

Raise the national flag in 0 minutes and 0 seconds. You can't miss a second.

In order to complete this task, the film uses three story lines, namely the diplomat mediating the negotiation, the honor guard responsible for upgrading and the watchmaker who proofreads the watch. Their stories are independent and interrelated. Finally, with the progress of the timeline, they converge to the same point in time and the same thing, that is, raising the five-star red flag in one second. The director uses the multi-threaded storytelling technique she is good at.

However, compared with the "Eve" unit, which also reproduces the grand ceremony, the "return" unit seems to be a little dull. It has less dramatic conflict in the plot and more plain and straightforward texture of the documentary.

To taste such a story, you must first return to the situation of that era and find out the story and temperament of that era.

Perhaps the return itself has its own aura. Under the framework of this grand story of compatibility between China and the west, the director directly uses some real images in the film and directly evokes the memories of many people's personal experience with slightly chronological pictures.

The badge and uniform of the Hong Kong Police Force and the suits and shoes of British officials. The viewers' deep memories of Hong Kong films in the 1990s and Hong Kong in the 1990s are awakened again with the development of the plot. When the national song sounded on time, when the flag bearer stood up and saluted, when the fireworks in Victoria Harbor were gorgeous, when the melody of the Oriental Pearl gradually sounded in the distance, there was no need to be emotional or exaggerated. The expectation, excitement, pride and excitement that once really existed met each audience again, and tears filled their eyelashes in the song.

The return of Hong Kong in 1997 is a historical moment and the memory of the whole people.

Now, for 22 years, as the world turns, thousands of lights in the world of mortals are still burning. Hong Kong remains the same, the five-star red flag remains the same, and Bauhinia Citigroup remains the same.

Looking back, I will always be with my motherland. For those who can sing the national anthem, the motherland will take him home.

At the end of the film viewing, the lights are on. The streets are filled with the warm atmosphere of the upcoming National Day holiday, optimistic, confident, down-to-earth and relaxed. Looking back on the small people and big events presented in the film, those struggles, sacrifices, laughter and tears can't help feeling that today's China's political harmony, national peace and people's security are hard won and should be cherished.

It seems to be the most unusual, but it is as easy as it is difficult.

In any sense, living in today's China, being a decent Chinese is lucky and happy. I can't help but, from the bottom of my heart, resonate with the emotions presented in the film -- thank you, my dear motherland.

"My motherland and I" and film review [3]

Today I watched the highlights of "me and my motherland". Waiting for the opening of the film, I saw an aunt group wearing cheongsam to watch the film ceremoniously; There is a big family with three generations of grandparents and grandchildren to watch the film; A group came to see the 'otaku' & hellip& hellip; After admission, I found that the 420 seat all sound giant screen hall was full, and even the first row and the most corner were full of people. When the film was shown, there was not much discussion in the packed hall. Even when the national flag appeared in the film, the chewing sound of popcorn seemed to be lower. After the end of the film, the audience didn't do as usual