After iqiyi's broadcast, Yu sin won the attention of netizens. After watching the first season, netizens soon wanted to watch the second season. The second season was released on June 13, and netizens with iqiyi members finished the second part of Yu sin early. But not long ago, all the dramas couldn't be seen. Why was Yu sin taken off the shelves? The following small make up answers for netizens.
Reasons for the removal of Yu sin and other online dramas
"Yu sin" played the edge ball, and was finally rectified
Over the past two years, the suspense reasoning and case related dramas, which have been promoted to the new favorite of online dramas, have become the protagonists in this uproar, and the 'crime' series is the first to bear the brunt. This kind of subject matter, which is limited by satellite TV's golden file broadcasting, shines on the relatively loose scale network platform. However, policy risks are also around.
At the beginning of the year, a series of suspense, supernatural and mystery themed dramas were the "worst hit areas". In addition to the promotion of the crown princess, several other online dramas that were taken off the shelves were all within this scope. It is reported that the reason for being taken off the shelves at that time was that "bloody violence, pornography, vulgarity, feudal superstition, etc. were involved" and reported. Two of them were permanently suspended, and the rest were ordered to be censored.
The producer of psychological crime, who has been asked to rectify, has confirmed that the revised opinions of the show's offline re cutting mainly include 'the police can't swear, the interrogation can't use violence', 'the serial killer is a mental patient, suspected of discriminating against mental patients' and so on.
After that, most of these dramas were deleted and re launched. Wu Xin the monster killer, the "psychological offense", "no heart master" and "Tomb robbery notes" were not affected.
Among them, Yu sin, which has been released for two seasons in succession, can be regarded as the leader of this year's Yizhong online drama, and Mie sin master only went online in July. The director of "exterminator" 500's last work "psychological crime" was just ordered off the shelves at the beginning of the year.
The booming of the online drama market is obvious to all in the film and television industry, which has attracted many traditional TV drama producers. With the natural advantages of the content and theme and the high fit with the network platform, criminal investigation and suspense drama has ushered in the spring after more than ten years of silence, and has become a big stream of online drama in recent two years.
However, this kind of drama is also the easiest to touch the policy red line. In these two large-scale rectification disturbances, the drama involved in the case accounts for the largest proportion. In fact, the tightening of supervision on such dramas has been revealed. In July, "ten crimes" was temporarily postponed before it went online, and it was suspected that it was reported because of too large scale, but the drama, which had been rectified in advance, was not affected this time.
Reasons for Yu sin and other online dramas being taken off the shelves
"Yu sin" is a "big flow" and involves risks
The actor of Yu sin: Zhang Yishan
In January, the collective removal of six online dramas triggered speculation in the industry that the General Administration of the people's Republic of China will strengthen the supervision of online dramas. Luo Jianhui, director of the Department of network audio-visual program management of SARFT, highlighted the issue of strengthening the management of network drama at the national annual meeting of TV drama industry on February 27.
Director general Luo Jianhui pointed out at the meeting that "we should strengthen the whole process management of online dramas, strengthen the training of video censors, improve the level of reviewers, and seriously confirm the responsibility of website supervisors; strengthen the guidance of excellent online dramas; strengthen the understanding of major projects, and intervene in advance; find out the wrong dramas in time, and don't wait for them to be released; The online and offline standards are unified, so what can't be broadcast on TV or on the Internet. '
The online drama industry generally believes that this is a signal of tightening supervision. The censorship mechanism of "trial before broadcast, Self-trial and self broadcast, no trial and no broadcast" has always been considered to be looser than the censorship system of TV dramas, and the censorship requirements and threshold are lower. Therefore, some dramas that can not be broadcast in TV stations (especially golden stalls theater) dare to test the water on the Internet, and the popularity of network dramas involved in the case is a typical case.
At present, the two regulations followed by the review of online dramas are "notice on Further Strengthening the management of online audio-visual programs such as online dramas and micro films" and "Supplementary Notice on further improving the management of online audio-visual programs such as online dramas and micro films".
According to the supplementary notice, the program information of online TV series, micro movies and other online audio-visual programs should be put on record before they are broadcast online; after they are broadcast online, if the masses report or the administrative department of press, publication, radio, film and television finds that the program content does not conform to the relevant provisions of the state, they should go offline immediately. 'This year's six online dramas were taken off the shelves, and it was revealed that they were reported for involving bloody violence and other content.
This year's two waves of off shelf rectification and unified review standards are a heavy blow or baptism for the online drama industry. Some people in the industry believe that this is a stage of development that online drama must go through. In the long run, it plays a positive role in promoting the maturity of online drama format.
In the view of drama critic "sleeve 2000", the standardization of censorship system is a rite of passage for online dramas in mainland China. During this period, they will experience all kinds of growing pains in adolescence. I hope that the final harvest will be a mature period for the sustainable development of online dramas. We are looking forward to high-quality teams, talented professionals and more responsible marketing teams infiltrating this field. '